[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_header title=”Or is it Second Nature ” subhead=”\u6216\u8005\u611f\u6027” text_orientation=”center” header_scroll_down=”on” scroll_down_icon=”%%2%%” header_image_url=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/20241105-FINAL-Poster\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” title_font=”Times New Roman|800|||||||” title_text_align=”center” title_text_color=”#C4BE8D” title_font_size=”50px” title_line_height=”2em” content_font=”Times New Roman||||||||” subhead_font=”Times New Roman||||||||” subhead_text_color=”#C4BE8D” subhead_font_size=”24px” background_color=”#000000″ global_colors_info=”{}”]<\/p>\n
Or is it Second Nature explores contemporary art from the perspective of affective geography, mapping how emotions and cognition empower artists and audiences to navigate their natural, cultural, and spiritual environments. Or is it Second Nature presents case studies of eleven artists: Shu Qun (\u8212\u7fa4), Qiu Zhijie (\u90b1\u5fd7\u6770), Tian Ye (\u7530\u91ce), Li Zhanyang (\u674e\u5360\u6d0b), Zhang Xiaotao (\u5f20\u5c0f\u6d9b), Li Chuan (\u674e\u5ddd), Qiu Anxiong (\u90b1\u5cb8\u96c4), Li Tingwei (\u674e\u4ead\u8473), Chen Weicai (\u9648\u4f1f\u624d), as well as Alois & Ling Nimmervol (\u963f\u8def\u6613\u65af&\u7433\u00b7\u529b\u8fc8\u5c14\u4f5b), focusing on natural, cultural, aesthetic, and affective geographic elements within their artwork. Viewers of artworks in Or is it Second Nature are encouraged to first and foremost feel the artwork, then make sense of who created them, materials used, and what information passes through sight, sound, spatial negation, time, and touch.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_text_color=”#000000″ text_font_size=”22px” header_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n
\uff5cCurator\uff5c<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u5eb7\u4e66\u96c502.jpg” alt=”Dr. Sophia Kidd” title_text=”Prof. Sophia Kidd” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n
Dr. Sophia Kidd<\/strong><\/span><\/p>\n Associate Professor at School of Literature and Journalism, Sichuan University, Lecturer at the Sichuan University of Foreign Languages, Lecturer at the University of G\u00f6ttingen, Germany, and Lecturer at the University of Bochum. Dr. Sophia Kidd is the Founder of Words Art International, Director of Igneus Press, and Editor of Literature and Modern China<\/em>, a journal of School of Literature and Journalism, Sichuan University. Dr. Sophia Kidd is a research curator, art critic, translator, and writer who has lived and worked in Chengdu for over ten years, working closely with Chinese scholars, artists, and specialists in the field of art and facilitating exchanges between them and their counterparts abroad. She has recently published a monograph Culture Paves the New Silk Roads<\/a>(Palgrave, 2022.) Kidd also wrote a chapter that appeared in Spatial Literary Studies in China<\/a>, (Palgrave, 2023.) Kidd also edit-in -chief \u300a\u5496\u5561\u8bc4\u8bba\uff1a\u4e2d\u56fd\u7279\u8f91\u300b The Cafe Review: The Chinese Issue<\/a> (XPress, 2021.) Kidd also did English translations of a large number of modern poems from southwest China, especially from the Sichuan and Chongqing<\/em> regions. <\/p>\n Email: sophiakidd@yanluartsandculture.com<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_text_color=”#000000″ text_font_size=”22px” header_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n \uff5cFeatured Artists\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u8212\u7fa4.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Shu Qun” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Shu Qun (China)<\/b><\/span><\/span><\/p>\n In 1982, he graduated from the Department of Chinese Painting of the Luxun Academy of Fine Arts with a B.A. <\/span>Now lives and works in Chengdu.<\/span>In 1984, he co-founded the “Northern Art Group with Wang Guangyi”, Ren Jian, Liu Yan and other Harbin artists, proposed the concept of <\/span>“rational painting”; the “Absolute Principle” painting created in 1984 became a representative work of rational painting in the ’85 Art Movement’.<\/span><\/p>\n He has been invited to hold solo exhibitions and group exhibitions in Germany, the United States, Australia, Russia, South Korea and other countries, as well as in China and Hong Kong. His works are collected by Minsheng Art Museum, Ullens Foundation, Long Museum of Art, Yu Deyao Art Museum, Star Museum of Art, Guangdong Museum of Art, Yuelai Museum of Art, Chongqing Yangtze River Museum of Contemporary Art, Guangdong Museum of Art, Shanghe Museum of Art, and other private collections.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-dai-guangyu\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u90b1\u5fd7\u6770.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Qiu Zhijie” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Qiu Zhijie (China)<\/b><\/span><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-xiong-wenyun\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u7530\u91ce.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Tian Ye” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Tian Ye (China)<\/b><\/span><\/span><\/p>\n Founder of the Western China International Art Biennial<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-xinmo\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u5f20\u5c0f\u6d9b.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Zhang Xiaotao” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Zhang Xiaotao (China)<\/span><\/strong><\/span><\/p>\n Born in 1970 in Chongqing, China, Zhang Xiaotao graduated from the Oil Painting Department of the Sichuan Fine Arts Institute in 1996, founded the New Media Art Department of the Sichuan Fine Arts Institute in 2010, graduated from the Central Academy of Fine Arts with a PhD in 2016, is a visiting professor at the City University of Hong Kong, and now lives in Beijing.<\/span><\/p>\n Zhang Xiaotao is one of the representative figures of the new generation of new media art in China. His representative work \u201cQuantum Adventures\u201d won the Gold Award at the Libo International Animation Festival in China in 2018, and \u201cThree Thousand Worlds – Mayfly\u201d was selected for the Electronic Art Festival in Linz, Austria in 2019, and his works have been collected by important international and domestic art museums, foundations, art centers and collectors.<\/span><\/p>\n He has participated in: the 55th Venice Biennale, the 7th Asia-Pacific Triennial of Contemporary Art, the 6th Moscow Biennale, the 2nd Prague Biennale, the Guangzhou Triennial, the Chengdu Biennale, the Shenzhen-Hong Kong Architecture Biennale, the Shenzhen Biennale of Independent Animation, the Holland Animation Film Festival, the Ottawa International Animation Festival, the Tokyo Animation Festival, and other exhibitions.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-song-chen\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u674e\u5ddd.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram\u6a21\u677f – 1″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Li Chuan (China)<\/b><\/span><\/span><\/p>\n Graduated from the Printmaking Department of Sichuan Fine Arts Institute in 1996<\/b><\/p>\n Since 1999, he has been teaching at the Sichuan Fine Arts Institute, and is currently the director of the Experimental Art School of the Sichuan Fine Arts Institute.<\/p>\n Professor and Doctoral Advisor<\/p>\n Since the mid-1990s, he has devoted himself to the exploration of printmaking, installation, video art and other forms of artistic creation, and has widely devoted himself to the experimentation of the public domain of art and the direction of innovative disciplines.<\/p>\n Publications: Fine Arts, Art Observation, Contemporary Artists, Art View, Art World, Backup of New Art – Artists Born in the Seventies, New Wave, Sichuan Pictorial, Art and Culture Seasons, Chinese Prints, Chinese Contemporary Lithography, Humanities, Printmaking, and other magazines. Magazines and albums<\/p>\n Collections: Works are collected by the National Art Museum of China, Jiangsu Provincial Art Museum, Guangdong Art Museum, Zhejiang Provincial Art Museum, Heilongjiang Provincial Art Museum, Chongqing Art Museum, and private collections at home and abroad.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u674e\u5360\u6d0b.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Li Zhanyang” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Li Zhanyang (China)<\/b><\/span><\/span><\/p>\n Professor at the Sculpture Department of the Sichuan Fine Arts Institute. Now lives in Chongqing.<\/p>\n Born in 1969 in Changchun, Jilin Province, China.<\/p>\n Graduated from the Sculpture Department of Lu Xun Academy of Fine Arts in Shenyang in 1994.<\/p>\n 1999 Postgraduate study at the Central Academy of Fine Arts (CAFA) with equivalent qualifications.<\/p>\n In 2004, she taught at the Villa Arson Academy of Fine Arts in Nice, France for half a year.<\/p>\n 2014 Postgraduate studies at the Center for Literature and Museums, Graduate School of the Chinese Academy of Social Sciences, Beijing, China, Master’s degree.<\/p>\n Visited the University of Pittsburgh, USA, 2017-2018.<\/p>\n Li Zhanyang has held and participated in numerous solo and group exhibitions at home and abroad; his works have been collected by the National Art Museum of China, Wuhan Museum of Art, Guangzhou Museum of Art, Central Academy of Fine Arts, White Rabbit Museum of Art in Australia, Rubell Art Museum in Miami, Porsche, and Ulli Hick, among others.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u674e\u4ead\u8473.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram\u6a21\u677f – 1″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Li Tingwei\uff08China\uff09<\/b><\/span><\/span><\/p>\n Born in 1989, graduated in 2017 from the Department of Fine Arts, Faculty of Fine Arts, Berlin University of the Arts, as a Masterclass student. Studied at Hunter College Masters Program in New York and Tongji University, now lives and works in Berlin. She has had solo exhibitions at Galerie Lechbinska in Zurich, Mijin Gallery in Shanghai, Ware-Space inChongqing and Remainder Space in Wuhan.<\/p>\n Li Tingwei uses multimedia, images and video installations to organize the focal points of contemporary life, reproducing contemporary person’s incessant pursuit of self-optimization through imaging, texts, web videos, sounds and graphic symbols, focusing on the self-consciousness altered by the consumer market and the digital media’s alienation of one’s spiritual feelings and behaviors. In her video works, Li Tingwei creates complex narratives that juxtapose real events with mysterious elements, unfolding many layers of semantics. The Seemingly absurd dramatization is a portrayal of reality that combines visual language, texture, and perceptual psychological methods.<\/p>\n Li Tingwei’s work combines interdisciplinary research, multimedia fusion, and deep reflection on contemporary life. Through complex narratives and non-linear accounts, she explores social issues and challenges established beliefs, while exploring the intersection of object and image.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u90b1\u5cb8\u96c4.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Qiu Anxiong” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Qiu Anxiong (China)<\/b><\/span><\/span><\/p>\n Born in Sichuan in 1972, graduated from Sichuan Fine Arts Institute in 1994, graduated from Kassel Academy of Art in 2003, now lives and works in Shanghai.<\/p>\n Public Collections: The Metropolitan Museum of Art, New York; The Museum of Modern Art (MoMA), New York; Centre Georges Pompidou, Paris; Brooklyn Museum of Art, New York; Aken Museum of Contemporary Art, Copenhagen; Hong Kong Museum of Art, Hong Kong; Spencer Museum, University of Kansas; The Museum of Contemporary Art, Tokyo (MOT); Astrup Fearnley Museum of Modern Art, Oslo; Zurich Kunst Halle, Sydney; White Rabbit Museum, Sydney; M+ Contemporary, Hong Kong; Yu Tak Yiu Art Museum, Shanghai; Museum of Contemporary Art, Shanghai.<\/p>\n Awards: 2006 CCAA China Contemporary Art Award, 2007 Artron Art Young Artist of the Year, Lianzhou International Photography Festival Media Criticism Award, Asian Contemporary Art Award Nomination, Oriental Morning Post Artist of the Year Nomination, 2009 China Critics Association Young Artist of the Year Award, 2010 Transforming History Documentation Award. 2017 Singapore Signature Art Prize Nomination, 2018 National Fine Arts Golden Star Annual Award.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u9648\u4f1f\u624d.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram Chen Weicai” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Chen Weicai\uff08China\uff09<\/b><\/span><\/span><\/p>\n Born in 1986 in Gutian, Fujian, now lives and works in Chengdu.<\/p>\n He is an improviser who likes to choose \u201cmaterials and environment\u201d from life to make sculptures on the spot. His works have been collected by the White Rabbit Museum of Australia, Germany-China Cultural Exchange Foundation, Shanghai Putuo District Government, Shenzhen Metro, Sichuan Fine Arts Institute Art Museum, China Sculpture Society Salon, CCACO and Harmony Way International Art Park, among others. His works have been collected by CCACO and Hedao International Art Park.<\/p>\n Selected group exhibitions<\/p>\n EMERGENT NATURES (Donglai Art, Chengdu, China)<\/p>\n Fictionalized Forbidden Zone-2024 Art Group Exhibition (Zui Art Museum, Guiyang, China)<\/p>\n Young or Not? –A Group Portrait of Art in its Prime (Guanghui Art Museum, Chengdu)<\/p>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u963f\u8def\u6613\u65af.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram\u6a21\u677f – 1″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Alois Nimmervoll\uff08Austria\uff09<\/b><\/span><\/span><\/p>\n Born in 1943 in Linz, Austria, he lived in Australia in 1961, where he worked in different professions, first as an art college student (attending the Berwyn College of Advanced Art in Melbourne, then an accomplished graphic designer, and finally to a successful professional painter with his own original style of painting – the Wave Style.<\/p>\n In 1978, Alois Nimmervoll returned to his hometown of Linz, where he founded the art space Lijmeyerver and organized an annual exhibition, making it the center of his artistic work. Since his return to Linz, he has held most of his major solo exhibitions both at home and abroad. His works are in the collection of the world-famous Albertina Museum in Austria, as well as in many national and private collections and museums internationally.<\/p>\n Alois was a watercolor landscape impressionist painter in the early days of continuous exploration and sublimation into nature as the source of creativity, writing free and unrestrained, with strong colors, full of vitality of the abstract painters.<\/p>\n In 2004, Alois Nimmervoll was awarded the Austrian Order of Culture of Upper Austria, and in 2023, he was awarded the title of Honorary Lifetime Professor of Art by the President of Austria.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/11\/Instagram\u7433.jpeg” alt=”Dr. Sophia Kidd” title_text=”Instagram\u6a21\u677f – 1″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Ling Nimmervoll\uff08Austria\uff09<\/b><\/span><\/span><\/p>\n Ling Nimmervoll was born in 1965 in Chongqing, China. Born in 1965 in Chongqing, China, Lynn Limerford studied English at the Sichuan Institute of Foreign Languages from 1986 to 1989, and moved to Linz, Austria in 1989, where she began her artistic career with her husband, the painter Alios Nimmervoll, and was recognized by the Austrian government as a professional artist in 1994. From then on, she started her artistic career beside her husband, the painter Alios Nimmervoll. In 1994, she was assessed as a professional artist by the Austrian government, and successfully opened up her own new art world in Europe. Her works are in many national and private collections.<\/p>\n As a sculptor, Ling is highly appreciated by collectors for her rigorous thinking, perfect shapes and delicate sculptures. Her work is inspired by the shapes and symbolism of Chinese characters, from which she expresses her artistic vision. These distinctive sculptures in metal, ceramic and glass, with bold colors, are fresh, light and aesthetically pleasing, and surrounded by artistic color.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_text_color=”#000000″ text_font_size=”22px” header_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n \uff5cExhibited Works\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”…Symbol to be Completed… Series No. 2″ image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u8212\u7fa4-\u2026\u5f85\u5b8c\u6210\u7684\u8c61\u5f81\u2026\u7cfb\u5217-2\u53f7\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”…Symbol to be Completed… Series No. 3″ image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u8212\u7fa4-\u2026\u5f85\u5b8c\u6210\u7684\u8c61\u5f81\u2026\u7cfb\u5217-3\u53f7\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Snowy Mountains in Morandi Colors – Cemetery of Imperials” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u83ab\u5170\u8fea\u8272\u7cfb\u96ea\u5c71-\u5e1d\u738b\u9675\u5893\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/span><\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2022<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Lucid Dream” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u6e05\u9192\u68a6\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Valley” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u5ce1\u8c37\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Active Imagination” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u6d3b\u8dc3\u7684\u60f3\u8c61\u529b\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Green River: Irrigation” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u7eff\u6cb3\uff1a\u704c\u6e89\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/span><\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2022<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Illusion of Power: Yellow Plateau” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u6743\u529b\u7684\u9519\u89c9\uff1a\u9ec4\u8272\u9ad8\u539f\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2022<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Zichuhan: Interpretation of Dreams” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u7d2b\u5ddd\uff1a\u68a6\u7684\u89e3\u6790\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2022<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Hongxia Mountain: A Moving Lake” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u7ea2\u971e\u5c71\uff1a\u79fb\u52a8\u7684\u6e56\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Submarine:Alchemy Castle” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u6f5c\u8247\uff1a\u70bc\u91d1\u672f\u57ce\u5821\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/span><\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2022<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Hana Tsing Hai – Phantom Island” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u82b1\u9752\u6d77-\u5e7d\u7075\u5c9b\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Zhijie, 70 x 70 cm<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Iron Age” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u9ed1\u94c1\u65f6\u4ee3\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Huaqing Reservoir – Aphairesis” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5fd7\u6770-\u82b1\u9752\u6c34\u5e93-\u81ea\u6211\u51c0\u5316\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Ink and watercolor on paper, wooden frame. Single edition, 2023<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Silence” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u5f20\u5c0f\u6d9b-\u5bc2\u9759\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Zhang Xiaotao, Oil on linen, 210 x 380 cm\uff0c2019-2021<\/p>\n<\/section>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Encounter 1904″ image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u5f20\u5c0f\u6d9b-\u76f8\u90471904\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Notes of a Mayfly in the Vast Universe” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u5f20\u5c0f\u6d9b-\u4e09\u5343\u4e16\u754c\u00b7\u8709\u8763\u4e2d-1.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Zhang Xiaotao, Animation, 7′ 39″<\/span>, 2017<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Be Careful Not to Overdue It” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u7530\u91ce-\u70b9\u5230\u4e3a\u6b62-\u73b0\u573a.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Tian Ye, <\/span>Installation, 316 x 160 cm, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Li Zhanyang\u2019s Market Gallery” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5360\u6d0b\u8d27\u5eca\u5927.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Li Zhanyang, Installation\/performance art, Dimensions Variable, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Could Everything Happen Again?” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5ddd-\u4e00\u5207\u53ef\u4ee5\u91cd\u6765\uff1f\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Chuan, Oil on canvas, 150 x 180 cm, 2007<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Hometown: Spring” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5ddd-\u6545\u4e61-\u6625\u5206\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Chuan, Lithograph, 45 x 38 cm, 1996<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Side Road” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5ddd-\u5c94\u8def\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Chuan, Lithograph, 96 x 65 cm, 2018<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Talk Black into White” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5ddd-\u6307\u9e7f\u4e3a\u9a6c\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Chuan, Oil on canvas, 150 x 135 cm, 2008<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Red Cliff” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5ddd-\u8d64\u58c1\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Li Chuan, Oil on canvas, 270 x 150 cm, 2008<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Thousand Pounds Hanging by a Thread” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u674e\u5ddd-\u5343\u94a7\u4e00\u53d1\u5927.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Chuan, Installation, Dimensions variable, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Mistake in Jiangnan (Still Frame)” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u6c5f\u5357\u9519-.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Qiu Anxiong, Single-channel Video, Black and White, Sound<\/p>\n 13′<\/span>8”, <\/span>2005<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Viewing the Scenic Beauty of Tiantai: Outside Guoqing Temple” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5cb8\u96c4-\u5929\u53f0\u63fd\u80dc-\u56fd\u6e05\u5bfa\u5916\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Qiu Anxiong, Acrylic on canvas, 200 x 240 cm, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Viewing the Scenic Beauty of Tiantai: Shiliang’s Hidden Spring” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u90b1\u5cb8\u96c4-\u5929\u53f0\u63fd\u80dc-\u77f3\u6881\u5e7d\u6cc9\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Qiu Anxiong, Acrylic on canvas, 200 x 240 cm, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Untitled: Coal and Powder” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u9648\u4f1f\u624d-\u65e0\u9898\uff1a\u7164\u4e0e\u7c89\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Chen Weicai, Installation, Dimensions Variable, 2021-2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Parting the Water to See the Stone” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u9648\u4f1f\u624d-\u62e8\u6c34\u89c1\u77f3\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Chen Weicai, Single channel video, 29\u201d, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Hand and River III” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u9648\u4f1f\u624d-\u624b\u4e0e\u6cb3III\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Chen Weicai, Single channel video, 19\u201d, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Traces of Hand, Shadow of Stone” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u9648\u4f1f\u624d-\u624b\u75d5\u77f3\u5f71\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Chen Weicai, Single channel video, 39\u201d, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Summertime” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u963f\u8def\u6613\u65af.\u529b\u8fc8\u5c14\u4f5b-\u590f\u65e5\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Alois.<\/span> Nimmervol, Acrylic on Canvas<\/p>\n 140 x 200 cm, 2013<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Soft Wind” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u963f\u8def\u6613\u65af.\u529b\u8fc8\u5c14\u4f5b-\u67d4\u8f6f\u7684\u98ce\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Alois.<\/span> Nimmervoll, Painting<\/p>\n 135 x 135 cm, 2012<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Peace” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u7433.\u529b\u8fc8\u5c14\u4f5b-\u5e73\u4e2d.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Ling.<\/span> Nimmervoll, Stainless Steel<\/p>\n 71.5 cm (height), 2012<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Traces of Hand, Shadow of Stone” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u7433-\u529b\u8fc8\u5c14\u4f5b-\u6d77\u795e.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Ling. <\/span>Nimmervoll, Ceramic & Stainless Steel<\/p>\n 77.5cm (height), 2011<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Stone Cloud” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u4e91\u77f3.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Li Tingwei, 2-Channel Video, 3\u201946\u201d<\/span>, 2021<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Hat2Cloud” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u4e91\u624b\u4e4b\u4e0b.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” locked=”off” global_colors_info=”{}”]<\/p>\n Li Tingwei, 3D Printing, 2024<\/p>\n 25 x 10 x 11 cm, 23 x 15 x 9 cm, 18 x 21 x 12 cm<\/p>\n <\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_header title=”FEATURED ARTIST” text_orientation=”center” button_one_text=”Learn more” button_one_url=”https:\/\/yanluartsandculture.com\/en\/artists-2\/” _builder_version=”4.18.0″ _module_preset=”default” title_font=”Times New Roman||||||||” title_text_color=”#C4BE8D” content_font=”Times New Roman||||||||” content_text_color=”#FFFFFF” background_image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/20240819164719-scaled.jpg” parallax=”on” custom_button_one=”on” button_one_bg_color=”#C4BE8D” button_one_border_width=”1px” button_one_border_color=”#C4BE8D” button_one_border_radius=”0px” button_one_font=”Times New Roman||||||||” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Discover Master Artists and New Generation Artists in Southwest China<\/span><\/p>\n [\/et_pb_fullwidth_header][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Or is it Second Nature explores contemporary art from the perspective of affective geography, mapping how emotions and cognition empower artists and audiences to navigate their natural, cultural, and spiritual environments. Or is it Second Nature presents case studies of eleven artists: Shu Qun (\u8212\u7fa4), Qiu Zhijie (\u90b1\u5fd7\u6770), Tian Ye (\u7530\u91ce), Li Zhanyang (\u674e\u5360\u6d0b), Zhang […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-3523","page","type-page","status-publish","hentry"],"yoast_head":"\n