[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_header title=”BIOS: Embodied Environments” text_orientation=”center” header_scroll_down=”on” scroll_down_icon=”%%2%%” _builder_version=”4.18.0″ _module_preset=”default” title_font=”Times New Roman|800|||||||” title_text_align=”center” title_text_color=”#C4BE8D” title_font_size=”50px” title_line_height=”2em” content_font=”Times New Roman||||||||” background_color=”#000000″ hover_enabled=”0″ global_colors_info=”{}” title_text=”\u6d77\u62a5\u4e2d” header_image_url=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u6d77\u62a5\u4e2d.jpeg” sticky_enabled=”0″]<\/p>\n
BIOS: Embodied Environments presents piantings, multi-media artworks, installation, video, and performances by three generations of ecologically-oriented artists.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_text_color=”#000000″ text_font_size=”22px” header_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n \uff5cCurator\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u5eb7\u4e66\u96c502.jpg” alt=”Dr. Sophia Kidd” title_text=”Dr. Sophia Kidd” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Dr. Sophia Kidd<\/strong><\/span><\/p>\n Scholar, research-based curator, arts critic, translator, author, and poet, an associate Researcher at School of Literature and Journalism, Sichuan University, Lecturer at the Sichuan University of Foreign Languages, Lecturer at the University of G\u00f6ttingen, Germany, and Lecturer at the University of Bochum. Dr. Sophia Kidd is the Founder of Words Art International, Director of Igneus Press, and Editor of Literature and Modern China<\/em>, a journal of School of Literature and Journalism, Sichuan University. Dr. Sophia Kidd is a research curator, art critic, translator, and writer who has lived and worked in Chengdu for over ten years, working closely with Chinese scholars, artists, and specialists in the field of art and facilitating exchanges between them and their counterparts abroad. She has recently published a monograph Culture Paves the New Silk Roads<\/a>(Palgrave, 2022.) Kidd also wrote a chapter that appeared in Spatial Literary Studies in China<\/a>, (Palgrave, 2023.) Kidd also edit-in-chief The Cafe Review: The Chinese Issue<\/a> (XPress, 2021.) Kidd also did English translations of a large number of modern poems from southwest China, especially from the Sichuan and Chongqing regions.<\/em> <\/p>\n Email: sophiakidd@yanluartsandculture.com<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_text_color=”#000000″ text_font_size=”22px” header_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n \uff5cFeatured Artists\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u8d1d\u897f.png” alt=”Dr. Sophia Kidd” title_text=”Betsy Damon” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Betsy Damon (USA)<\/b><\/span><\/span><\/p>\n Betsy Damon was born in 1940 in New York. She graduated from Skidmore College in 1963 with a Bachelor of Fine Art, and from Columbia University in 1966 with an MFA. Damon is a US-based artist and water activist, and is also founder of the Keepers of the Water.<\/span><\/p>\n Damon’s proposal and design for a large-scale water conservation project was accepted by the Chengdu government in 1996. In 1998, this world’s first urban eco- park, Chengdu Living Water Garden, was completed. The project won the highest international award for waterfront excellence, the International Environmental Design Award, and became the Chengdu case study for the Best Urban Practice Area at the Shanghai World Expo in 2010.<\/span><\/p>\n Damon has lectured extensively in the United States, Europe, and China, and has been a guest artist at numerous universities. For more than sixty years, she has dedicated herself to protecting water, listening to water, and leading audiences to interact with water, thereby promoting a deeper link between humans and nature. Betsy is a world-renowned ecologically focused artist, whose work encompasses a wide range of media, including painting, installation, performance, and video. She has participated in countless important exhibitions worldwide.<\/span><\/p>\n Recent exhibitions include Anti-Internationalism at the Van Abbemuseum in the Netherlands and Connecting Drops at SUNY Stony Brook in New York. Betsy Damon has also published books such as Director, Living Waters of Larimer, Principles of Water, and Water Talks, which is presently being translated into Chinese. Her works of art are collected by institutions and collectors internationally.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-dai-guangyu\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6234\u5149\u90c1.jpg” alt=”Dr. Sophia Kidd” title_text=”Dai Guangyu” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Dai Guangyu (China)<\/b><\/span><\/span><\/p>\n Born in Chengdu in November 1955, now lives and works in Chengdu and Beijing.<\/span><\/p>\n Dai was born in a scholarly family and received training in calligraphy, painting and literature since childhood. He is a poet, author, painter, performance artist, and curator, a rare instance of a contemporary artist who combines exhibition planning with cultural criticism.Beginning with Keepers of the Water (1995), Dai Guangyu has mobilized dozens of contemporary art events in Chengdu and other parts of China, collaborating often with artists, critics, and the media.<\/span><\/p>\n Dai Guangyu has integrated Western contemporary art with traditional ink-wash tradition and technique, while also focusing his work on an appreciation of the spiritual lineage of cultural origins. Dai strives to gain inspiration throughout art historical research by focusing on the evolution of ideas, tapping into the potential of traditional art resources to approach an international art historical horizon. He utilizes performance, installation, painting, video, and mixed media in his creative practice; and has shown his body of work in important art museums around the world such as the National Art Museum of China, the Sichuan Museum of Fine Arts, and the Bonn Museum of Modern Art. His artworks are admired in the collections of discerning collectors.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-xiong-wenyun\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u718a\u6587\u97f5.jpg” alt=”Dr. Sophia Kidd” title_text=”Xiong Wenyun” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Xiong Wenyun (China)<\/b><\/span><\/span><\/p>\n Born in Chongqing in 1955, She graduated from Sichuan Fine Arts Institute in 1983 with a Bachelor of Fine Art, going on to study in the Chinese Painting Department of the Central Academy of Fine Arts and the China National Academy of Arts from 1985 to 1987. She graduated from the University of Tsukuba in 1993 with an MFA in Japanese Painting. From 1993 to 1996, Xiong Wenyun worked as a guest researcher at the Asakura Naomi Research Laboratory of Bunkyo University in Japan.<\/span><\/p>\n From 1998 to 2001, she produced a large experimental art project called Moving Rainbow, then created the Kongkong series before commencing research and practice of children’s art and education.<\/span><\/p>\n In 2020, while caring for her ailing mother, she began to record things around her on the back of used medicine boxes from her mother’s medical regimen. For three years after her mother was discharged from the hospital, she created the Hospital series, the Arrow series, and the Medicine Box series. In her decades of artistic practice, her works have been deeply influenced by her early experience of going to the countryside in the Aba Tibetan and Qiang areas. Themes of humanity and nature, as well as the cycle of life and death, have always been important to Xiong Wenyun. Her works encompass a wide range of media, including painting, installation, performance, and mixed media. Xiong has participated in important exhibitions such as the 2021 Chengdu Biennale, the Echigo-Tsumari Art Field Triennial in Japan, and A Thousand Rainbows Solo Exhibition of Xiong Wenyun in Shenzhen. Her works are prized by collectors worldwide.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-xinmo\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3866.jpg” alt=”Dr. Sophia Kidd” title_text=”Li Xinmo” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Li Xinmo (China)<\/p>\n <\/b><\/span><\/span><\/p>\n Using a variety of media including performance, painting, video, and writing, her artwork explores memory, dreams, and the subconscious workings of the human psyche. Her works address gender, identity, and ecology in meaningful and nuanced ways.<\/span><\/p>\n Her prolific and constantly evolving body of work has been exhibited in art museums throughout the world, such as at the National Museum of World Culture (V\u00e4rldskulturmuseet, Gothenburg, Sweden) and the Bonn Women’s Museum (Germany). Li also participated in the Toronto Biennial of Art in Canada and the China-Europe International Art Biennale of Prague.<\/span><\/p>\n Her works have been collected by the Museum of East Asian Antiquities (\u00d6stasiatiska museet, Stockholm, Sweden), Teda Contemporary Art Museum, as well as by collectors in the UK, Germany, Switzerland, and Singapore. She has also been honored by United Nations Women, and her academic articles have been published in National Arts and Oriental Art: Masters.<\/span><\/p>\n Li Xinmo curated the feminist art exhibition Heterogeneous Body, Performance Art and Postmodern Theater Series: Workshops at UCCA in 2017, Map and Territory international art exhibition in 2018, and Deutschland-Deutsche Kunst in China at the German Embassy in 2019.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-song-chen\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u5b8b\u9648.jpg” alt=”Dr. Sophia Kidd” title_text=”Song Chen” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Song Chen (China)<\/span><\/strong><\/span><\/p>\n Song Chen is an Eastern eco-artist creating contemporary art with earthen soil as her primary medium. Locality is extremely important to Song Chen’s work, as the artist considers her locality as a spiritual home from where she can focus on the ultimate destination of human evolution. Her prolific performative praxis has created several happenings and installations using soil, ink, and other natural materials through which she seeks to address the human heart as her partner in dialogue. Her soil-based creations utilize a variety of artistic forms, including installation, performance, video, and mixed media.<\/span><\/p>\n Song Chen’s soil-based artworks have been exhibited at Art Hong Kong, Art Basel HK, Shanghai Art Fair, ART021 Contemporary Art Fair in Shanghai, and West Bund Art Design in Shanghai. Among them, Walking Landscape Series I and Walking Landscape Series II have been collected by Yuz Foundation, and the Dust to Dust series has been collected by the Princess of Uzbekistan.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-li-yaoyao\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u674e\u5c27\u7476.jpeg” alt=”Dr. Sophia Kidd” title_text=”Li Yaoyao” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.6″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n Li Yaoyao (China\uff09<\/b><\/span><\/span><\/p>\n Li Yaoyao was born in Chengdu in 1994. She graduated from Sichuan Academy of Fine Arts in 2017, going on to study at the Venice Academy of Fine Arts, where she received her MFA degree in 2021. She now lives and works in Chengdu and Chongqing.<\/span><\/p>\n Li Yaoyao is the youngest artist in this exhibition, with her works covering performance, installation, video, and poetry. Li focuses on the transformation and extension of her physical environment into a spatiality that is simultaneously containing and being contained. She also encounters and draws connections between “uncertain possibilities.”<\/span><\/p>\n Recently, Li Yaoyao has been exploring the relationship between the perception of self-imagery, particularly in terms of the body, as well as the attractive forces and tendencies of repetitive memories and future emotions. She begins with a written text, going on to conjure a dream with image and sound, building a parallel world of inner micro-movement which is triggered by perception.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_text_color=”#000000″ text_font_size=”22px” header_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n \uff5cExhibited Works\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Wash Your Hands in a Golden Basin” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u91d1\u76c6\u6d17\u624b.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Performance, 2024<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Poetics of Water\uff08Series of 6\uff09” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u8bd7\u610f\u4e4b\u6c34\u5ba3\u7eb8\u3001\u5f69\u58a8\uff0c\u4e9a\u9ebb\u5e03\uff0cWaters-of-Poetry-Performance-248x124cm-2023-9-\u590d\u4ef63\u4e2d.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Color Ink-Wash on Rice Paper, Affixed to Linen Frame, 248 cm x 124 cm, 2023<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Water Leaves Traces” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3790.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Installation, Dimensions Variable, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Water Moves with Sound” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3776.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Installation, Dimensions Variable, 2024<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Moving Rainbow” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6d41\u52a8\u5f69\u8679\u5927.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Video, 16 Min 28 Sec, 1998-2001<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Tibetan Medicine Series” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u85cf\u836f\u7cfb\u5217.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” header_line_height=”1.7em” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Mixed Media, Acrylic, 100 cm x 100 cm, 2023<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Moving Rainbow: Rainbow Tent” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6d41\u52a8\u5f69\u8679\u4e4b\u4e03\u5f69\u5e10\u7bf7\u5927.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” header_line_height=”1.7em” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Installation, 165 cm x 330 cm x 250 cm, 2021<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Medicine and the Body” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/JPEG\u56fe\u50cf-4A12-AE87-35-0-2\u5927.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” header_line_height=”1.7em” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Performance, 30min, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Tibetan Medicine\u2014Red” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3850.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Mixed Media, Acrylic, 80 cm \u00d7 120 cm, 2020<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Rainbow Sky \u2161” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3849.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Mixed Media, Acrylic, 100 cm x 145 cm, 2021<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Tibetan Medicine\u2014Blue” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3851.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Mixed Media, Acrylic, 100 cm \u00d7 120 cm,<\/span> 2021<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”The King of Tibetan Medicine” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3852.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Mixed Media, Acrylic, 80 cm x 100 cm, 2021<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”800 Prescriptions of Tibetan Medicine” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3853.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Xiong Wenyun, Mixed Media, Acrylic, 80 cm \u00d7 80 cm, 2021<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Birth” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3867.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Xinmo, Installation, 500 cm x 300 cm x 300 cm, 2024<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Humanity” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3872.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Xinmo, Humanity, Calligraphy, Mixed Media, Equilateral Triangle, Each Edge 300 cm, 2024<\/p>\n<\/div>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Landscape I” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u98ce\u666f\u4e00\u53f7-2.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Xinmo, Installation, 500 cm x 300 cm x 300 cm, 2024<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Green Book Series” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/240407-SM-D007\u5927.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Xinmo,, Paper, Ballpoint pen, 19 cm x 26 cm, 2018<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Birth” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/JPEG\u56fe\u50cf-4BD5-9991-8B-0-2.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Xinmo, Performance, 30 min, 2024<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Rebirth” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_3878.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Xinmo, Video, 5 min, 2019<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Soil and Body as One: Ritual of Ten Directions” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u8eab\u571f\u4e0d\u4e8c\u00b7\u5341\u65b9\u4eea\u5f0f.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n , <\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Soil and Body as One: The Memory of N\u00fcwa” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u8eab\u571f\u4e0d\u4e8c\u00b7\u5973\u5a32\u7684\u8bb0\u5fc6-2.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Soil and Body as One: Soil-themed Robe” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u571f\u88634.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Song Chen<\/span>, Soil-based Performance Art Soil-based Mixed Media Artwork<\/span>, 180 cm x 60 cm\uff0c2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Soil and Body as One: Documentary Film of Soil-based Performance Artwork” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u73b0\u573a7.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Song Chen, Performance Video, 25 Min, 2024<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”A Dream of Rain” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/JPEG\u56fe\u50cf-4275-B269-07-0-2-scaled.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Yaoyao, Color, Audio, Video, 7\u201953\u201d, 2022<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Sounds of Spring” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_4137-scaled-e1724573713924.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” global_colors_info=”{}”]<\/p>\n Li Yaoyao, Performance Art, 20 Min, 2024<\/span><\/p>\n<\/div>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_header title=”FEATURED ARTIST” text_orientation=”center” button_one_text=”Learn more” button_one_url=”https:\/\/yanluartsandculture.com\/en\/artists-2\/” _builder_version=”4.18.0″ _module_preset=”default” title_font=”Times New Roman||||||||” title_text_color=”#C4BE8D” content_font=”Times New Roman||||||||” content_text_color=”#FFFFFF” background_image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/20240819164719-scaled.jpg” parallax=”on” custom_button_one=”on” button_one_bg_color=”#C4BE8D” button_one_border_width=”1px” button_one_border_color=”#C4BE8D” button_one_border_radius=”0px” button_one_font=”Times New Roman||||||||” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Discover Master Artists and New Generation Artists in Southwest China<\/span><\/p>\n [\/et_pb_fullwidth_header][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" BIOS: Embodied Environments presents piantings, multi-media artworks, installation, video, and performances by three generations of ecologically-oriented artists. \uff5cCurator\uff5cDr. Sophia Kidd Scholar, research-based curator, arts critic, translator, author, and poet, an associate Researcher at School of Literature and Journalism, Sichuan University, Lecturer at the Sichuan University of Foreign Languages, Lecturer at the University of G\u00f6ttingen, Germany, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2716","page","type-page","status-publish","hentry"],"yoast_head":"\n
Song Chen was born in Luoyang in 1979 and has been living in Shanghai since 2003.<\/span><\/p>\n