[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.18.0″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_fullwidth_header title=”Geographies of Feeling” subhead=”- 2023 Chengdu Biennale Parallel Exhibition.” text_orientation=”center” header_scroll_down=”on” scroll_down_icon=”%%2%%” header_image_url=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u6d77\u62a5\u4e2d-1.jpeg” _builder_version=”4.18.0″ _module_preset=”default” title_font=”Times New Roman||||||||” title_text_align=”center” title_text_color=”#C4BE8D” title_font_size=”50px” content_font=”Times New Roman||||||||” content_text_color=”#FFFFFF” content_line_height=”1.8em” subhead_font=”Times New Roman||||||||” subhead_text_color=”#FFFFFF” subhead_font_size=”30px” subhead_line_height=”1.7em” background_color=”#000000″ global_colors_info=”{}”]<\/p>\n
To this end we have selected three artists, Zhu Cheng, He Gong, and Dai Guangyu, all born in Southwest China before China’s ’85 New Wave contemporary art movement. While the selection of three older generation artists is essential in looking backwards, we have also invited these three to select younger artists whose artworks create dialogue between generations. These seven artists include Hu Jiayi, Pu Yingwei, Tong Wenmin, Wang Zifan, Wang Yanxin, , Wang Zheng, and Zhu Ming, approaching to critical issues such as cultural identity and cultural diaspora.<\/span><\/p>\n [\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_font_size=”26px” global_colors_info=”{}”]<\/p>\n \uff5cCurator\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u5eb7\u4e66\u96c502.jpg” title_text=”Dr. Sophia Kidd” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Dr. Sophia Kidd\uff08USA\uff09 Scholar, research-based curator, arts critic, translator, author, and poet, an associate Researcher at School of Literature and Journalism, Sichuan University, Lecturer at the Sichuan University of Foreign Languages, Lecturer at the University of G\u00f6ttingen, Germany, and Lecturer at the University of Bochum. Dr. Sophia Kidd is the Founder of Words Art International, Director of Igneus Press, and Editor of Literature and Modern China<\/em>, a journal of School of Literature and Journalism, Sichuan University. Dr. Sophia Kidd is a research curator, art critic, translator, and writer who has lived and worked in Chengdu for over ten years, working closely with Chinese scholars, artists, and specialists in the field of art and facilitating exchanges between them and their counterparts abroad. She has recently published a monograph Culture Paves the New Silk Roads<\/a>(Palgrave, 2022.) Kidd also wrote a chapter that appeared in Spatial Literary Studies in China<\/a>, (Palgrave, 2023.) Kidd also edit-in-chief The Cafe Review: The Chinese Issue<\/a> (XPress, 2021.) Kidd also did English translations of a large number of modern poems from southwest China, especially from the Sichuan and Chongqing regions.<\/em> <\/p>\n Email: sophiakidd@yanluartsandculture.com<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_font_size=”26px” global_colors_info=”{}”]<\/p>\n \uff5cFeatured Artists\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-dai-guangyu\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6234\u5149\u90c1.jpg” title_text=”Dai Guangyu” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Dai Guangyu\uff08China\uff09 Born in Chengdu in November 1955, now lives and works in Chengdu and Beijing.<\/span><\/p>\n Dai was born in a scholarly family and received training in calligraphy, painting and literature since childhood. He is a poet, author, painter, performance artist, and curator, a rare instance of a contemporary artist who combines exhibition planning with cultural criticism.Beginning with Keepers of the Water (1995), Dai Guangyu has mobilized dozens of contemporary art events in Chengdu and other parts of China, collaborating often with artists, critics, and the media.<\/span><\/p>\n Dai Guangyu has integrated Western contemporary art with traditional ink-wash tradition and technique, while also focusing his work on an appreciation of the spiritual lineage of cultural origins. Dai strives to gain inspiration throughout art historical research by focusing on the evolution of ideas, tapping into the potential of traditional art resources to approach an international art historical horizon. He utilizes performance, installation, painting, video, and mixed media in his creative practice; and has shown his body of work in important art museums around the world such as the National Art Museum of China, the Sichuan Museum of Fine Arts, and the Bonn Museum of Modern Art. His artworks are admired in the collections of discerning collectors.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artists-a-z-he-gong\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2025\/05\/\u4f55\u5de5\u5927.jpeg” title_text=”\u4f55\u5de5\u5927” _builder_version=”4.18.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n He Gong\uff08China\uff09 He Gong (b. 1955, Chongqing, China) is a Chinese contemporary artist whose practice engages questions of migration, exile, memory, and cultural hybridity. He earned his MFA from the Sichuan Academy of Fine Arts in 1985 before relocating to the United States in 1986. From 2005 to 2024, he served as Professor of Art at Sichuan University, shaping a generation of emerging artists. Dividing his time between Chengdu and Los Angeles, He Gong\u2019s work reflects a sustained dialogue between Eastern and Western artistic traditions. His paintings, exhibited internationally at institutions such as the Venice Biennale and the Edinburgh Festival, trace personal and collective journeys across landscapes of displacement and return. His recent practice embraces a narrative turn, using the visual field as a stage for unfolding allegories of identity, longing, and transformation. Through luminous storytelling, He Gong invites viewers into a theatre of memory where myth and lived experience converge.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-zhu-cheng\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6731\u6210.jpeg” title_text=”Screenshot” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Zhu Cheng (China) Born in<\/span> 1946<\/span> in Chengdu, Sichuan, Zhu Cheng is a sculptor and National First-Class Artist.<\/p>\n Zhu Cheng currently serves as the Director of the Zhu Cheng Stone Carving Art Museum in Chengdu, is a Researcher at the Sculpture Institute of the China National Academy of Painting, as well as a Member of the Sculpture Institute of the China Cultural Promotion Society, Honorary President of the Sichuan Society Of Architect Civil Engineer, Supervisor of the Chengdu Museum Association, Research Fellow at the Chengdu Urban Aesthetics Research Association, and a Member of the Expert Group of the Anren Museum Town in China.<\/span><\/p>\n His notable works include A Thousand Weights in One Arrow, Moon Daughter, Joy, Anger, Sorrow, Happiness, Heavenly Loom, and Star Gauge. His works are held in prestigious institutions such as the China Art Museum, the International Olympic Committee Museum, the Netherlands Bank Art Museum, the Chengdu Modern Art Museum, and the Sichuan Art Museum.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-hu-jiayi\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-hu-jiayi\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u80e1\u4f73\u827a.jpeg” title_text=”Hu Jiayi” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Hu Jiayi\uff08China\uff09 Hu Jiayi was born in 1993 in Turpan, Xinjiang.<\/span><\/p>\n She is also invited to perform performance art performances and exhibitions in different countries, including ‘Bodies of Water’ Shanghai Biennale, Power Station of Art, Shanghai, China, ‘Intimacy’, Leofanti film festival in Venice, Italy, ‘Becoming \u2013 Experimental’ Video Works, Eli Klein Gallery, New York, America.<\/span><\/p>\n Hu Jiayi is the only student so far who has won two Luo Zhongli Fellowship at the Sichuan Fine Art Institute of arts, where she graduated, where she currently teaches experimental video art. She has participated in several residencies including the Kwangju Museum of Art.<\/span><\/p>\n She is sensitive to the changes in her own environment and presents art from a unique perspective that is different from the habitual thinking of social life. Her performance art is not supported by creative concepts, but an interpretation of her own life experience, which is honest, pure, and brave.<\/span> <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-pu-yingwei\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u84b2\u82f1\u73ae.jpg” title_text=”Pu Yingwei” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Pu Yingwei (China) Pu Yingwei, (b.1989), Lives and works in Beijing, China.<\/span><\/p>\n Pu received his BFA from Sichuan Fine art Institute in 2013,<\/span><\/p>\n DNSEP (MFA with Fe\u0301licitation du jury) from E\u0301cole Nationale Supe\u0301rieure des Beaux-Arts de Lyon in 2018.<\/span><\/p>\n As an active contributor to the new generation of conceptual art, Pu Yingwei has creatively inherited and developed the visual and ideological lineage of socialist art and early Chinese avant-garde art, with his practice spanning painting, writing, designing, curating and lecturing, thus forming the unique language system and historical perspective.<\/span><\/p>\n His work has been involved in institutions such as Walker Art Gallery (Liverpool), Nouvel Institut Franco-Chinois (Lyon), Power Station of Art (Shanghai), He Art Museum, OCAT Museums, and Taikang Space. His work has been included in the 13th Shanghai Biennale and the Caen Film Festival. He was awarded the John Moore Painting Prize and his article “Empire\u2019s Legacy” won the International Awards for Art Criticism Prize, and was selected for the Gen.T Asian Emerging Pioneers list, \u201cHuaYu Youth Award\u201d\uff0c\u201cChina Art power 100\u201d, \u201cJimei\u00b7Arles Discovery Reward\u201d and Porsche \u201cYoung Chinese Artist of the Year\u201d Award. Pu Yingwei’s works are widely collected by institutions and important collectors such as the KADIST, the Star Museum, He Art Museum, Sifang Art Museum, Guangdong Museum of Ar, the Longlati Foundation, ASE Foundation, Art Pioneer Studio, Song Art Museum, Chaoqing Art Foundation, CC Foundation, Arario Museum.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-tong-wenmin\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u7ae5\u6587\u654f.jpeg” title_text=”Tong Wenmin” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Tong Wenmin (China) 1989 Born in Chongqing, China.<\/span><\/p>\n 2012 Graduated from Sichuan Fine Art Institute, Chongqing. <\/span><\/p>\n Currently Works and lives in Chongqing, China.<\/span><\/p>\n Solo \/ Duo Exhibitions<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-wang-yanxin\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u738b\u5f66\u946b.jpeg” title_text=”Wang Yanxin” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Wang Yanxin (China) Born in Lanzhou, Gansu Province in 1988, Wang Yanxin lives and works in Chengdu and Mianyang. He is currently Associate Professor at Sichuan University of Culture and Arts. Wang graduated from the New Media Department of Sichuan Fine Arts Institute in 2013. Since 2012, he has been creating multi-media works in the form of performance art.<\/span><\/p>\n In recent years, Wang Yanxin has held solo exhibitions and conducted personal projects at the Himalayas Art Museum (Shanghai), Black Box Art Museum (Qidao), Chengdu Contemporary Art Museum (Chengdu), Augui Caifang Warehouse (Auguan) and other places, also participateding in Waikato Art Gallery (New Zealand), Adelaide Arts Center (Australia), Old Slovak Tank Depot (Slovakia), Budapest Gallery (Hungary), Tokyo NIPAF Space (Japan), Fukushima Art Project (Japan), Bangkok BACC Art Center (Thailand), Chengdu Tianfu Art Museum (Chengdu), Lux Lake\u00b7A4 Art Museum (Chengdu), Lushan Art Museum (Chengdu), Guanghui Art Museum (Chengdu), Blue Roof Art Museum (Chengdu), the original .Art Museum (Chongqing), Xinghui Contemporary Art Museum (Chongqing), Chinese Contemporary Art Museum (Chongqing), Tainan Art Space (Taiwan), JCCAC Art Center (Hong Kong), Macao Art Center (Macao) and other institutions.<\/span><\/p>\n Wang Yanxin won first prize at the 9th New Star Art Award (2019), the SAYA Elite International Young Artist of the Year Special Award (2017), and other awards.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-wang-zheng\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u738b\u5ce5.jpeg” title_text=”Wang Zheng” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Wang Zheng (China)<\/strong><\/span><\/p>\n Born on February 20, 1996, in Guilin, Guangxi, Zheng (Moham) Wang grew up in Wuhan, Hubei, and now lives and works in Singapore and San Francisco. He is a artist, curator, writer of Mien ethnic-minority background.<\/span><\/p>\n He graduated from Rice University in the United States in 2020 with a bachelor’s degree double-majoring in Art History and Visual and Dramatic Arts (Studio Art).<\/span><\/p>\n He graduated from the California Institute of the Arts in Los Angeles in 2022 with a Master of Arts degree and received the Lillian Disney Scholarship (USD 30,000).<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-wang-zifan\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u738b\u6893\u51e1.jpeg” title_text=”Wang Zifan” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Wang Zifan (China) Wang Zifan was born in 1997 in Sichuan, China. <\/span><\/p>\n Wang has been working in oil painting for six years, during which she obtained BFA and MFA degrees. Her artworks actively reflect on how individuals relate to other individuals as well as to groups, while also focusing on the conflict and coexistence of individuals, groups in spaces, whilst focusing on the importance of spatial relations in individual and collective experience.<\/span><\/p>\n Painting BFA, VCU ARTS, Virginia Commonwealth University, Richmond, Virginia, the United States Painting MFA, Tyler School of Art and Architecture, Temple University, Philadelphia, Pennsylvania.<\/span><\/p>\n Teaching Assistant in the Oil Painting Department at Temple University’s Tyler School of Art during the 2021-2022 academic year and teaching independently.<\/span><\/p>\n Gallery Assistant, Tyler School of Art, Temple University, 2021-2022; execute exhibitions and independently curate student exhibitions.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.18.0″ _module_preset=”default” link_option_url=”https:\/\/yanluartsandculture.com\/en\/artist-a-z-wang-zifan\/” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6731\u660e.png” title_text=”Zhu Ming” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Zhu Ming (China)<\/strong><\/span><\/p>\n Doctoral candidate in Museum Education<\/span> at the School of Humanities and Social Sciences at UCSI University<\/span><\/p>\n Deputy Director of Chengdu Zhu Cheng Stone Carving Art Museum<\/span><\/span><\/p>\n <\/span><\/p>\n Selected Group Exhibitions<\/span><\/p>\n 2023 Chengdu Biennale Parallel Exhibition Geographies of Feeling (A4 Art Museum\u00b7Chengdu)<\/span><\/p>\n 2023 Sensual Blooms The 3rd Biennale (Xu Liaoyuan Museum of Modern Design and Art\u00b7Chengdu)<\/span><\/p>\n 2021 Breaking the Cocoon \u2013 New Media Art Exhibition \u2013 Southwest Tianfu University Art Museum Opening Exhibition (Southwestern Tianfu University Art Museum\u00b7Chengdu)<\/span><\/p>\n 2018 Memory and Dreams \u2013 The 9th Cross-Strait Children\u2019s Art Exhibition and Wenchuan\u00b7Ten 2017 Singularity \u2013 Academic Invitational Exhibition (New Blue Roof Museum\u00b7Chengdu)<\/span><\/p>\n 2016 Dark Matter Test Site Art Exhibition (Banpo International Art Zone A01 Space\u00b7Xi\u2019an)<\/span><\/p>\n 2016 Chengdu Blue Roof Art Festival Public Art in a City Works Exhibition (OCT\u00b7Chengdu)<\/span><\/p>\n Click to learn moreArtist page<\/a><\/a><\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_font_size=”26px” global_colors_info=”{}”]<\/p>\n \uff5cExhibited works\uff5c<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Wang Wei’s Villa” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/IMG_4963.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Chinese Ink on Rice Paper, 145 cm x 600 cm, 2011\uff0c<\/span>\u00a9\ufe0fA4 Museum<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”You Were Here” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6234\u5149\u90c1-\u4f60\u6765\u8fc7\u4e2d.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Performance, 2023<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Data Base of Forbidden Words” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u8bb3\u5b57\u5e931-1Register-of-Prohibited-Words\uff0c\u5ba3\u7eb8\u3001\u6c34\u58a8\u3001\u4e8e\u4e9a\u9ebb\u5e03\u4e0a\uff0c\uff18\uff15\u00d7\uff18\uff15cm\uff0c2014\u5e74\u4e2d.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Chinese Ink on Rice Paper, 85 cm x 85 cm, 2014<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”My Mother” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u6211\u7684\u6bcd\u4eb2\u4e2d.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Dai Guangyu, Chinese Ink on Rice Paper, 300 c m x 300 cm, 2010<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Hanta Does a Handstand” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u5012\u7acb\u7684\u6c49\u560901-e1724411252398.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n He Gong,<\/span> Multi-media Painting Installation<\/span>, [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Tahiti Green” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u4f55\u5de5\u4f5c\u54c1-\u5854\u5e0c\u63d0\u7eff\u4e2d.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n He Gong, Multi-media installation<\/span>, [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Untitled” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u65e0\u989801-e1724410007517.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Zhu Cheng, Installation, Dry Ink Painting, Dimensions Variable, 2022.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Portraits of Ba and Shu Civilization Ancestors” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u5df4\u8700\u5148\u6c11\u8096\u50cf.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Zhu Cheng, <\/span>Mutil-Media, <\/span>200<\/span> cm x 150 cm, 2022\uff1b\u00a9\ufe0fA4 Museum<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Caltrops” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u80e1\u4f73\u827a-\u94c1\u84ba\u85dc02.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Hu Jiayi, <\/span>Performance\/Video installation (5-channel), 2023<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Dam Theatre\u2014I Want to Be Modern” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u84b2\u82f1\u73ae-\u6c34\u575d\u5267\u573a02.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” header_line_height=”1.7em” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Pu Yingwei, “Dam Theatre\u2014I Want to Be Modern”, Video, Single Channel, Color, Sound 23’11”, 2020-2021.<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Flicked” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u7ae5\u6587\u654f-\u62c2\u8fc7.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Tong Wenmin, Flicked, Performance Art, Xishuangbanna, Yunnan, China, Single channel video (color, sound), 2’50”, 2023.<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Golden Door” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u91d1\u8272\u7684\u95e8-e1724427296248.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Wang Yanxin<\/span>, Performance Video<\/span>, Narrative Edits, Color, Sound,<\/span>13′ 47″,<\/span> 2021.<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Window on the Metro Line A” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u738b\u6893\u51e1-\u7ad9\u53f0\u4e0a\u7684\u5bf9\u671b.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Wang Zifan, Oil on canvas,<\/span> 172 cm x 191 cm, 2022.<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Baiyue: Theater of Diaspora” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u738b\u5ce5-\u767e\u8d8a01-e1724423952772.png” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” header_line_height=”1.7em” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Wang Zheng, Video,<\/span>20\u201929\u201d , 2022.<\/span> Work selected for and sponsored by the California College of the Arts’ Interdisciplinary Grant Program in 2023.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Mountain Rock” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u738b\u5ce5-\u5c71\u5730\u6447\u6eda.jpg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Wang Zheng, Book<\/span> (Artist book with written poems and self-illustrated images), 300 pages, 2022<\/span><\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Precast – Mirror (Series)” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u9884\u5236\u00b7\u9274.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” header_text_align=”center” header_line_height=”1.7em” body_font=”Times New Roman||||||||” body_text_align=”center” body_font_size=”12px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Zhu Ming, Precast slab (Hanwang Earthquake Site), Steel, Candle, 360 cm \u00d7 80 cm \u00d7 185 cm, 2011.<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_header title=”FEATURED ARTIST” text_orientation=”center” button_one_text=”Learn more” button_one_url=”https:\/\/yanluartsandculture.com\/en\/artists-2\/” _builder_version=”4.18.0″ _module_preset=”default” title_font=”Times New Roman||||||||” title_text_align=”center” title_text_color=”#C4BE8D” content_font=”Times New Roman||||||||” content_text_color=”#FFFFFF” background_image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/20240819164719-scaled.jpg” parallax=”on” custom_button_one=”on” button_one_text_color=”#FFFFFF” button_one_bg_color=”#C4BE8D” button_one_border_width=”0px” button_one_border_radius=”0px” button_one_font=”Times New Roman||||||||” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Bringing together master artists and young artists from Southwest China to present a comprehensive and complete picture of the art ecology of Southwest China.<\/span><\/p>\n [\/et_pb_fullwidth_header][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" To this end we have selected three artists, Zhu Cheng, He Gong, and Dai Guangyu, all born in Southwest China before China’s ’85 New Wave contemporary art movement. While the selection of three older generation artists is essential in looking backwards, we have also invited these three to select younger artists whose artworks create dialogue […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2706","page","type-page","status-publish","hentry"],"yoast_head":"\n
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Selected Group Exhibitions
Click Artist Profile Page <\/a>to know more<\/span><\/p>\n
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Education<\/strong><\/span><\/p>\n
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Exhibitions<\/span><\/p>\n
Years Commemorative Special Exhibition (Sichuan Art Museum\u00b7Chengdu)<\/span><\/p>\n
Dimensions: 400 cm x 300 cm<\/span>, 2023<\/span><\/p>\n
Two orbs, approx. 300 cm x 300 cm, 2023<\/span><\/p>\n