{"id":2598,"date":"2022-10-14T01:11:30","date_gmt":"2022-10-14T01:11:30","guid":{"rendered":"https:\/\/yanluartsandculture.com\/exhibition-services\/"},"modified":"2025-12-03T16:19:44","modified_gmt":"2025-12-03T16:19:44","slug":"exhibition-services","status":"publish","type":"page","link":"https:\/\/yanluartsandculture.com\/en\/exhibition-services\/","title":{"rendered":"Exhibition Services"},"content":{"rendered":"

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Yan Er Lu Arts International<\/p>\n

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Exhibition Services<\/p>\n

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Academic curation<\/p>\n

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Through an academic exhibition, the curator explains the academic value behind the artwork, allowing artists and works from different cultures to be displayed and exchanged, and this cross-cultural exchange helps to break down cultural barriers and promote understanding and respect between different cultures.<\/span><\/p>\n

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Artwork is the carrier of the artist’s emotion, an exhibition is an important bridge for emotion transmission<\/p>\n

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A professional curator can convey the intrinsic value of the artwork and the artist’s creative concept to the audience through professional display design, thus triggering the audience’s empathy and stimulating their artistic emotions.<\/span><\/p>\n

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WE OFFER<\/p>\n

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01 Exhibition academic consulting<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A Western Curatorial Vision, Rooted in Chinese <\/span>Academic Rigor. With her profound training <\/span>in Classical Chinese, Dr. Sophia Kidd brings an <\/span>invaluable dual perspective to articulating the <\/span>academic value of your artworks.<\/span><\/div>\n
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    To write a complete curatorial essay (word <\/span>count of about 2,000 or more) and submit it <\/span>to Party A for examination and approval, Party <\/span><\/div>\n
    B permits Party A to translate the curatorial <\/span>essay, and Party A has the right to publish it in <\/span>the catalogue of the exhibition to be produced <\/span>and distributed, and to use the aforesaid <\/span>curatorial essay for academic purposes, exhi<\/span>bition publicity, promotion and publication <\/span>of the exhibition; Party B holds the copyright <\/span>of the essay, and can use it as its own work <\/span>in the scope of this agreement. Party B holds <\/span>the copyright of the article and may use it as <\/span>his\/her own work for publicity, academic and <\/span>commercial purposes within the scope of this <\/span>agreement. <\/span><\/div>\n

    <\/span><\/span><\/p>\n<\/li>\n

  • For the public education activities planned for <\/span>the exhibition, Party B is responsible for assisting Party A\u2019s Public Affairs Department to conduct a guided tour, and participating in at least two of Party A\u2019s seminars, symposiums, <\/span>lectures and other related public trans<\/span>port activities.<\/li>\n<\/ul>\n
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    2023 Parallel Exhibition of Chengdu Biennale\u00a0<\/span><\/p>\n

    Featured artists: Zhu Cheng, He Gong, Dai Guangyu, Hu Jiayi, Pu Yingwei, Tong Wenmin, Wang Zifan, Wang Yanxin, Wang Zheng, Zhu Ming.<\/span><\/p>\n

    [\/et_pb_slide][et_pb_slide heading=”BIOS: Embodied Environments” button_text=”Learn more” _builder_version=”4.18.0″ _module_preset=”default” title_text=”\u6d77\u62a5\u4e2d” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/\u6d77\u62a5\u4e2d.jpeg” hover_enabled=”0″ sticky_enabled=”0″ button_alignment=”left” custom_button=”on” button_font=”Song Myung||||||||”]<\/p>\n

    2024 Chongqing Exhibition<\/span><\/div>\n
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    Artists:\u00a0Betsy\u00a0Damon,\u00a0Dai Guangyu,\u00a0Xiong Wenyun, Li Xinmo,\u00a0Song Chen,\u00a0Li Yaoyao<\/p>\n<\/div>\n

    [\/et_pb_slide][et_pb_slide heading=”Or is it Second Nature?” button_text=”Learn more” _builder_version=”4.18.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ button_link=”https:\/\/yanluartsandculture.com\/en\/exhibition-or-is-it-second-nature\/” link_option_url=”https:\/\/yanluartsandculture.com\/en\/exhibition-or-is-it-second-nature\/” url_new_window=”on” link_option_url_new_window=”on” title_text=”20241105 FINAL Poster\u4e2d” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/12\/20241105-FINAL-Poster\u4e2d.jpeg” custom_button=”on” button_font=”Song Myung||||||||”]<\/p>\n

    2024 Chongqing Exhibition<\/span><\/div>\n
    Artists: Shu Qun (\u8212\u7fa4), Qiu Zhijie (\u90b1\u5fd7\u6770), Tian Ye (\u7530\u91ce), Li Zhanyang (\u674e\u5360\u6d0b), Zhang Xiaotao (\u5f20\u5c0f\u6d9b), Li Chuan (\u674e\u5ddd), Qiu Anxiong (\u90b1\u5cb8\u96c4), Li Tingwei (\u674e\u4ead\u8473), Chen Weicai (\u9648\u4f1f\u624d), as well as Alois & Ling Nimmervol (\u963f\u8def\u6613\u65af&\u7433\u00b7\u529b\u8fc8\u5c14\u4f5b)<\/span><\/div>\n

    [\/et_pb_slide][et_pb_slide heading=”Maps of No Return: He Gong Solo Exhibition” button_text=”Learn more” _builder_version=”4.18.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ button_link=”https:\/\/yanluartsandculture.com\/en\/exhibition-or-is-it-second-nature\/” link_option_url=”https:\/\/yanluartsandculture.com\/en\/exhibition-or-is-it-second-nature\/” url_new_window=”on” link_option_url_new_window=”on” title_text=”Maps of No Return Exhibition Poster (20 x 20 in) (48 x 48 in) – 1″ image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2025\/07\/MoNR-poster\u4e2d.jpeg” custom_button=”on” button_font=”Song Myung||||||||”]<\/p>\n

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    2025 DC, USA Exhibiton<\/span><\/div>\n<\/div>\n
    Artists: He Gong<\/span><\/div>\n

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    2\u3001Coordinate with artists<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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    \u00a0<\/span>From vision to venue, we walk alongside artists.<\/span><\/div>\n
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    Deep curation begins with shared inspiration <\/span>and is realized through rigorous planning. <\/span>Whether on-site, fine-tuning each display, or <\/span>across time zones, building consensus online\u2014<\/span>we ensure the artist’s vision is translated <\/span>faithfully into a powerful physical experience.<\/span><\/span><\/div>\n
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    • T<\/span><\/span>o provide exhibition planning programme, including overview of curatorial concepts, <\/span>proposed list of participating artists, contact <\/span>information of invited artists, concept of exhibit layout, list of works to be exhibited, <\/span>list of equipment required for exhibits, related <\/span>publicity and promotion proposals, publication proposals, etc. Responsible for coordinat<\/span>ing and liaising with the participating artists <\/span>identified by Party A in terms of the progress of <\/span>the production of the works and the planning <\/span>of the exhibitions, assisting Party A in coordi<\/span>nating and communicating with artists on the <\/span>execution of the exhibition, and confirming <\/span>the schedule and progress of completion of <\/span>the works in the exhibition.<\/span><\/li>\n
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      <\/span>To assist Party A in the co-ordination and com<\/span>munication with the artists on the execution <\/span>of the exhibition, and to confirm the schedule <\/span>and completion of the works. Party A has the <\/span>final decision on the participating artists and <\/span>works.<\/span><\/div>\n<\/li>\n<\/ul>\n
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      3\u3001Assist in the exhibition project<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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      You Focus on the Creative Core. We Ensure Its Precise <\/span>Realization.<\/span><\/div>\n
      Professional Execution: Project Planning | International <\/span>Transport | On-site Management | Integrated Marketing<\/span><\/div>\n
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      • To assist Party A in completing the collation of Chinese and English textual materials related to the artist\u2019s works at the exhibition site (including but not limited to the artist\u2019s personal introduction, introduction of the artist\u2019s works, the artist\u2019s creative concepts and other relevant content)<\/li>\n
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        <\/span>To prepare the exhibition site documentation (including but not limited to books, magazines, newspapers, interviews with the text of the record, video and image data and other relevant information content of the finished product files), and Party B shall Assist Party A in completing the organisation plan, list, over view and structure of the on-site documentation in Microsoft Word document format.<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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        04 Public education events in the exhibition project<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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        Where Poetry Meets Painting. <\/strong><\/div>\n
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          Curated by Dr. Sophia <\/span>Kidd featuring dozens of American poets who created and recited poetry in response to “Maps of <\/span><\/div>\n
          No Return: He Gong Solo Exhibition” and “She’s So <\/span>Collectible”.<\/span><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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          Bringing together master artists and young artists from Southwest China to present a comprehensive and complete picture of the art ecology of Southwest China.<\/p>\n

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