[et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” background_enable_color=”off” sticky_enabled=”0″][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”100px||||false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman|800|||||||” text_text_color=”#51705C” text_font_size=”22px” text_line_height=”2em” custom_margin=”||-1px||false|false” global_colors_info=”{}”]<\/p>\n
Chinese Contemporary Artists<\/p>\n
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Pu Yingwei<\/p>\n
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Pu Yingwei, (b.1989), Lives and works in Beijing, China.<\/span><\/p>\n Pu received his BFA from Sichuan Fine art Institute in 2013,<\/span><\/p>\n DNSEP (MFA with Fe\u0301licitation du jury) from E\u0301cole Nationale Supe\u0301rieure des Beaux-Arts de Lyon in 2018.<\/span><\/p>\n As an active contributor to the new generation of conceptual art, Pu Yingwei has creatively inherited and developed the visual and ideological lineage of socialist art and early Chinese avant-garde art, with his practice spanning painting, writing, designing, curating and lecturing, thus forming the unique language system and historical perspective.<\/span><\/p>\n His work has been involved in institutions such as Walker Art Gallery (Liverpool), Nouvel Institut Franco-Chinois (Lyon), Power Station of Art (Shanghai), He Art Museum, OCAT Museums, and Taikang Space. His work has been included in the 13th Shanghai Biennale and the Caen Film Festival. He was awarded the John Moore Painting Prize and his article “Empire\u2019s Legacy” won the International Awards for Art Criticism Prize, and was selected for the Gen.T Asian Emerging Pioneers list, \u201cHuaYu Youth Award\u201d\uff0c\u201cChina Art power 100\u201d, \u201cJimei\u00b7Arles Discovery Reward\u201d and Porsche \u201cYoung Chinese Artist of the Year\u201d Award. Pu Yingwei’s works are widely collected by institutions and important collectors such as the KADIST, the Star Museum, He Art Museum, Sifang Art Museum, Guangdong Museum of Ar, the Longlati Foundation, ASE Foundation, Art Pioneer Studio, Song Art Museum, Chaoqing Art Foundation, CC Foundation, Arario Museum.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u84b2\u82f1\u73ae.jpg” title_text=”Pu Yingwei” _builder_version=”4.18.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” border_radii=”on|10px|10px|10px|10px” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#545F75″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” custom_margin=”|||1px|false|false” global_colors_info=”{}”]<\/p>\n Selected Solo Exhibitions<\/span><\/p>\n A Study In Scarlet: The Re-origin Of Revolutionary Realism, MAMOTH, London, 2021; <\/span><\/p>\n Obscure Adventure – Speculative Pop Pan-Chinesism, SSSSTART (Start Museum Research Center), Shanghai, 2021; <\/span><\/p>\n Photoethic: CHINAFRICA, Jimei x Arles International Photo Festival, 2020; <\/span><\/p>\n Time, History, Why We Fight, Hive Center for Contemporary Art, Beijing, 2020; <\/span><\/p>\n Pu Yingwei and Chinese Capital, MadeInGallery, Shanghai, 2020;<\/span><\/p>\n Pu Yingwei 1989, Organhaus, Chongqing, 2019; Double Empire, Nouvel Institut Franco- Chinois, Lyon, 2018;<\/span><\/p>\n If only it were true, Galerie Sator, Paris, 2018; <\/span><\/p>\n Pu Yingwei and Jim Thompson Architects, J: GALLERY, Shanghai, 2017; <\/span><\/p>\n Roman Nomade, Hive Center for Contemporary Art, Beijing, 2017.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman||||||||” text_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n Selected Group Exhibitions ON | OFF 2021:Carousel of Progress, He Art Museum, Shunde, 2022;<\/span><\/p>\n The Disconnected Generation, Song Art Museum, Beijing, 2022; <\/span><\/p>\n 13th Shanghai Biennale: Bodies of Water, Power Station of Art, Shanghai, 2021; <\/span><\/p>\n Circular Impact: Video Art 21, OCAT Shanghai, Shanghai, 2021; <\/span><\/p>\n An Archive Seven Trails, Taikang Space, Beijing, 2020; <\/span><\/p>\n Those who see and know all, are all and can do all, 798 Art Center, Beijing, 2020; Being of Evils, Hive Center for Contemporary Art, Beijing, 2020; Dance With It, Taikang Space, Beijing, 2018; The Comfort Zone At A Distance, Taikang Space – Light Pavilion, Beijing, 2018; <\/span><\/p>\n Frontier: Re-assessment of Post – Globalisational Politics, OCAT Shanghai\/OCAT Institute, Shanghai\/Beijing , 2017-2018; <\/span><\/p>\n Fiction Art, OCAT Shenzhen, Shenzhen, 2018;<\/span><\/p>\n I Do (not) Want To Be Part Of Your Celebration, Qiao Space TANK Shanghai Project Space, Shanghai, 2017; <\/span><\/p>\n Reciprocal Enlightenment, CAFA, Beijing, 2017;<\/span><\/p>\n 2012 Liverpool Biennial 2012 – John Moores Painting Prize, Walker Art Gallery | National Museums Liverpool, Liverpool, 2012<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” background_enable_color=”off” custom_padding=”||100px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”Times New Roman|800|||||||” text_font_size=”40px” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Featured Works<\/p>\n [\/et_pb_text][et_pb_divider color=”#D6D6D6″ _builder_version=”4.18.0″ _module_preset=”default” width=”20%” module_alignment=”center” custom_margin=”||-1px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Dam Theatre\u2014I Want to Be Modern” image=”https:\/\/yanluartsandculture.com\/wp-content\/uploads\/2024\/08\/\u84b2\u82f1\u73ae-\u6c34\u575d\u5267\u573a02.jpeg” _builder_version=”4.18.0″ _module_preset=”default” header_font=”Times New Roman||||||||” body_font=”Times New Roman||||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n Pu Yingwei, Video, Single Channel, Color, Sound 23’11”, 2020-2021.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Chinese Contemporary ArtistsPu Yingwei Pu Yingwei, (b.1989), Lives and works in Beijing, China. Pu received his BFA from Sichuan Fine art Institute in 2013, DNSEP (MFA with Fe\u0301licitation du jury) from E\u0301cole Nationale Supe\u0301rieure des Beaux-Arts de Lyon in 2018. As an active contributor to the new generation of conceptual art, Pu Yingwei has creatively […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2324","page","type-page","status-publish","hentry"],"yoast_head":"\n
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